This creates a void at the heart of the action, a blank and silent mirror which reflects and magnifies the audience’s pre-existing fears and assumptions.
It isn’t just that the answer isn’t revealed it’s that the show genuinely has no answer. The mystery of who killed Laura Palmer has, for those first eight episodes at least, no answer.
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But there is no coherent meaning, no true guiding hand, and this is what makes the first series in particular so special. Owl-eyed fans are invited to turn over every bit of information, every image, every hint of a clue in the hopes of unlocking something like a coherent meaning. What America demands, like any dream, is interpretation and everything in Twin Peaks is open to that.
The United States as it imagines itself, the mythos from which it draws the glue that holds the whole crazy apparatus together. These kinds of symbols form a shorthand for American culture – not a social or political culture exactly, but more what the French philosopher Jean Baudrillard called “astral America”. Photograph: Frederick M Brown/AFP/Getty Images (It is no surprise that the show has its deepest roots in a project about Marilyn Monroe.)ĭavid Lynch is sole director of the 18 hour-long episodes in the third series of ‘Twin Peaks’. A 1968 Datsun pickup, powder blue, or the roar of a Harley beneath a solitary traffic light on a moonless midnight road. Twin Peaks works with the raw material of American dreams, of a dreamed America: blonde waitresses and beauty queens, tough-but-fair sheriffs in cowboy hats, vast and mystical landscapes. It takes those two words and puts them together as a psychoanalyst would: poking at them, turning them over, seeing what lies beneath. More than almost any other television show, Twin Peaks is concerned with the American Dream. For the viewer, the dreams would seem to be just a significant. Cooper is a masterful interpreter of signs and visions, led as much by his dreams as the physical evidence. If he can have a damn fine cup of coffee and some pie along the way, all the better. Justice, in the purest sense, is his goal. Cooper is basically an idealised vision of law enforcement, the law in question being more cosmic than federal. The person leading the investigation is FBI agent Dale Cooper, played by Kyle MacLachlan. It turns out Twin Peaks is a town with a lot to hide. When she washes up on a river bank, wrapped in plastic, the investigation into her murder opens up a pathway into the secret life of the town and its community.
Palmer was a local high school student – a blonde, beautiful, homecoming queen, popular and sweet as cherry pie.
Twin Peaks is a remote town in the pacific northwest of the United States, a wholesome, straight-shooting place on the Canadian border, surrounded by tall Douglas fir trees. Lynch and Frost turned a simple murder mystery into a surreal and poetic examination of American popular culture and, in doing so, provided a blueprint for the open-ended, character-driven, big-budget television dramas that would follow in its wake. With its mysterious eight-episode first season, Twin Peaks proved that prime-time television could be just as dramatic, ambiguous and stylish as art-house cinema.
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Who killed Laura Palmer? This is the question that animates Twin Peaks, David Lynch and Mark Frost’s game-changing TV series from 1990.
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